I live and I love / Romancero Gitano
Hi, my name's N and I come from Europe. I'm a busy student and when I'm not chasing deadlines at University, I love to take photos, cook and enjoy in little things that everyday life brings. My 'diet' consists of design, architecture, literature, movies, fashion, good food and wine. This visual diary is a mélange of things I find inspiring and aesthetically pleasing, other than that, this tumblr's existence has no higher purpose... Thank you for stopping by! :)
I live and I love / Romancero Gitano
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subtilitas:


Ryue Nishizawa - Weekend house for the architect, Usui-Gun 1998. Via.
subtilitas:


Ryue Nishizawa - Weekend house for the architect, Usui-Gun 1998. Via.
subtilitas:


Ryue Nishizawa - Weekend house for the architect, Usui-Gun 1998. Via.
subtilitas:


Ryue Nishizawa - Weekend house for the architect, Usui-Gun 1998. Via.
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alvareztostado:

luis barragán: casa estudio en tacubaya [fotografía de onnis luque] (ciudad de méxico, 1947)
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studiobua:

Salk Institute, Louis Kahn, 1965
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thekhooll:

Tadao Ando’s The Pulitzer Foundation for the Arts rcruzniemiec aka archatlas
thekhooll:

Tadao Ando’s The Pulitzer Foundation for the Arts rcruzniemiec aka archatlas
thekhooll:

Tadao Ando’s The Pulitzer Foundation for the Arts rcruzniemiec aka archatlas
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fiore-rosso:

OAB.Gisa & FGC Barcelona, Spain
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subtilitas:

Miller & Maranta - Market hall, Aarau 2002. Love the details; none of the structural members or walls appear to hit the ground. Via, 2. Photos (C) Reudi Walti & Olivier Malclès.
subtilitas:

Miller & Maranta - Market hall, Aarau 2002. Love the details; none of the structural members or walls appear to hit the ground. Via, 2. Photos (C) Reudi Walti & Olivier Malclès.
subtilitas:

Miller & Maranta - Market hall, Aarau 2002. Love the details; none of the structural members or walls appear to hit the ground. Via, 2. Photos (C) Reudi Walti & Olivier Malclès.
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cabbagerose:

chilean beach pavilion house/WMR arquitectos
via: thecoolist
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Centre Bit by Alberto Campo Baeza
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cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via
Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
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Casa Pite
Smiljan Radic
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danytravels:

Barcelona Pavilion, Mies van der Rohe
Fuji Provia 100F